Bentclouds @ TIFF

TIFF 2009 is coming to get you.

2009-08-25T19:26:00.000-07:00

My TIFF Schedule before the lottery decides my fate...

9-10
6:00 – An Education (Ryerson)
9:00 – Antichrist (Ryerson)

9-11
9:30 – The Happiest Girl in the World (Scotiabank 3)
12:15 – Huacho (Scotiabank 3)
2:30 – I Am Not Your Friend (AMC 6)
6:00 – Hadewijch (Varsity 8 )
9:00 – Fish Tank (Scotiabank 2)

9-12
9:30 – Broken Embraces (Scotiabank 3)
12:45 – Independencia (Scotiabank 3)
2:30 – Irene (AMC 4)
5:15 – The White Ribbon (Scotiabank 1)
9:00 – Wild Grass (Scotiabank 1)
11:59 – Survival of the Dead (Ryerson)

9-13
9:15 – Father of My Children (AMC 5)
12:15 – Dogtooth (AMC 5)
4:00 – At the End of Daybreak (AMC 4)
6:00 – A Prophet (Visa)
9:30 – Accident (Scotiabank 1)
11:59 – The Loved Ones (Ryerson)

9-14
9:00 – A Serious Man (Scotiabank 1)
12:00 – Get Low (Ryerson)
3:00 – The Road (Scotiabank 2)
6:00 – Soul Kitchen (Ryerson)
9:00 – Leaves of Grass (Ryerson)

9-15
12:00 – Enter the Void (Scotiabank)
3:15 – Applause (AMC 5)
6:30 – White Materials (Scotiabank 1)
9:15 – Vengeance (Ryerson)
11:59 – Rec 2 (Ryerson)

9-16
9:30 - Front Line (Scotiabank 3)
12:30 - Mother and Child (Winter)
3:00 – Life During Wartime (Scotiabank 1)
6:00 – Mother (Visa)
9:00 – My Son, My Son, What Have ye Done (Visa)

9-17
9:15 – Ajami (Scotiabank 3)
12:00 – Micmacs (Ryerson)
2:30 – Police, Adj (AMC 6)
6:30 – Deliver Us From Evil (Scotiabank 3)
8:45 – Face (Scotiabank 4)

9-18
8:30 – Vincere (Scotiabank 2)
12:30 – To Die Like A Man (Varsity 6)
4:30 – I Killed My Mother (Varsity 5)
6:15 – L’Enfer de Henri-Georges Clouzot (Varisty 4)
8:00 – Ondine (Varsity 8 )
10:30 – Like You Know It All (Isabel Bader)

9-19
9:30 – Spring Fever (AMC 9)
12:30 – Air Doll (Scotiabank 4)
3:45 – The Hole (AMC 9)
7:30 – Bad Lieutenant: Port of Call New Orleans (AMC 6)
11:59 – Ong Bak 2 (Ryerson)

(My Own Personal) Festival Awards

2007-09-16T09:11:00.001-07:00

Best Movie: No Country For Old Men

Best Director: José Luis Guerín - In The City of Sylvia

Best Actor: Josh Brolin - No Country For Old Men

Best Actress: Anna Faris - Smiley Face
(runner up: Asia Argento - The Last MIstress)

Best Scene: Cafe Faces - In The City of Sylvia

Biggest Surprise: Stuck

Biggest Disappointment: Redacted

The Last Day: Grades

2007-09-15T11:09:00.000-07:00

Smiley Face (2007, Gregg Araki) 65

Before the Devil Knows You're Dead (2007, Sidney Lumet) 44

The Edge of Heaven (2007, Fatih Akin) 42

It's a Free World ... (2007, Ken Loach) 56

Inside (2007, Alexandre Bustillo & Julien Maury) 61

Day Nine: Grades

2007-09-14T08:47:00.000-07:00

Back on track after a couple days sick:

Glory to the Filmmaker! (2007, Takeshi Kitano) 53

In The City of Sylvia (2007, José Luis Guerín) 87

A Girl Cut in Two (2007, Claude Chabrol) 66

Son of Rambow (2007, Garth Jennings) 37

Good Riddance (1980, Francis Mankiewicz) 62

Day Eight: Grades

2007-09-13T11:03:00.000-07:00

Water Lilies (2007, Celine Sciamma) 67

Margot at the Wedding (2007, Noah Baumbach) 64

You, The Living (2007, Roy Andersson) 80

Day Seven: Grades

2007-09-12T13:43:00.000-07:00

Cassandra's Dream (2007, Woody Allen) 52

Redacted (2007, Brian De Palma) 40

Import/Export (2007, Ulrich Seidl) 42

Day Six: Grades

2007-09-11T13:46:00.000-07:00

Silent Light (2007, Carlos Reygadas) 67

Paranoid Park (2007, Gus Van Sant) 47

Sukiyaki Western Django (2007, Takashi Miike) 54

Day Five: Grades

2007-09-10T09:28:00.000-07:00

No Country For Old Men (2007, Joel and Ethan Coen) 88

Sad Vacation (2007, Shinji Aoyama) W/O
I had a headache and I needed new shoes (oh, and it kinda sucked).

The Last Mistress (2007, Catherine Breillat) 71

Stuck (2007, Stuart Gordon) 82

Day Four: Grades

2007-09-09T17:18:00.000-07:00

Secret Sunshine (2007, Lee Chang-dong) 63

Love Songs (2007, Christophe Honore) 46

The Girl in the Park (2007, David Auburn) 57

Shadows (2007, Milcho Manchevski) 34

2007-09-09T01:43:00.000-07:00

The Man From London (2007, Bela Tarr) 43
Tarr's style in service of material that doesn't really call for it, with long takes expressing little beyond their own technical accomplishment. There is nothing here that even approaches the solar system sequence that opens Werckmeister Harmonies and instead of finding purpose for his long takes here he just lands on faces for several minutes without having them express anything notable (though some of them are great faces). I like the black and white photography with its beautiful chiaroscuro and certain shots have the Tarr magic to them, but this is a major disappointment considering how often Tarr makes films.

2007-09-09T01:37:00.000-07:00

Le Voyage du Ballon Rouge (2007, Hou Hsiao-Hsien) 57
A mediation of innocence of the past clashing with the realities of today; video games replacing more innocent child's play, working mothers replaced by nannies, divorce and other such adult troubles. This is just too loose for my taste and it floats around its point without force, while a little more force and rigor might have really touched a nerve. Instead Hou never really seems to say anything with much coherence and the film feels very flabby as a result.

2007-09-09T01:23:00.000-07:00

The Mourning Forest (2007, Naomi Kawase) 48
I never really bought the central relationship between the two grievers and that they would be drawn to each other and eventually to their adventure and so, while I admired the photography and the way Kawase sought to express her characters' sadness, I never felt much resonance from their emotional outpourings. Also, I am not convinced that mourning is an interesting enough note to play at such a deliberate pace and with such little variation (both characters get to express a variety of emotion, but they are always just negotiating with their loss). Kawase seems worthy of future investigation though, so I will probably look at Shara sometime in the immediate future.

2007-09-09T00:57:00.000-07:00

Les Amours D' Astree et de Celadon (2007, Eric Rohmer) 72
This joins Rohmer's other adaptation films: The Lady and the Duke, Perceval le Gallois and The Marquise of O; and like those films, this one pays close and respectful attention to the style, period and location of the original works. Rohmer tells us as much in the opening text scroll which tells us that Rohmer's experiment is to tell the story as it would be imagined by someone reading the text in the 17th century, which creates a strange temporal dislocation to the charming and humorous story, which is not far from Rohmer's previous morality tales in terms of Celadon's dilemma. I think this is a minor Rohmer work but it is also fascinatingly rich and warmly entertaining, we should all be so lucky to have minor works as major as this.

2007-09-09T00:46:00.000-07:00

Mother of Tears: The Third Mother (2007, Dario Argento) 50
A mostly enjoyable Argento horror entry that earns some goodwill just because it is the first Argento film in six years that was watchable (Sleepless in 2001). This one shows that while his flamboyant visual imagination may not be what it used to be (possibly due to lack of budget), his imagination for creative violence and expressive gore is completely intact. The reaction from the enthusiastic midnight crowd probably helped carry this one past the lulls that would standout more at home and, more importantly, I certainly can't pan Argento's film on his birthday

2007-09-09T00:26:00.000-07:00

Starting Out in the Evening (2007, Andrew Wagner) 39
The above image (from the festival catalog) just about does justice to how terrible the HDTV photography looks in this film, especially the dark interior scenes which have distracting waves, which is especially surprising because a quick look at Harlan Bosmajian's filmography on IMDB reveals he has worked in this format before and would likely be aware of the limitations of his equipment. I don't want to just pick on the look of the film though because it is actually dead in the water with a (mostly) poorly written script and mismatched performance styles (Langella is theatrical and proud, Ambrose not really doing anything interesting). Adam Gorgoni's score is also notably weak; a syrupy Thomas Newman ripoff. There is very little to like here but every now and then a scene will find some truth or an emotional pay-off will strike you offguard but mostly this is very predictable fare and offers very little indication of the talent given to Andrew Wagner.

Day Three: Grades

2007-09-08T11:27:00.000-07:00

The Banishment (2007, Andrei Zvyaginstev) 54

My Kid Could Paint That (2007, Amir Bar-Lev) 65

4 Months, 3 Weeks and 2 Days (2007, Cristian Mungiu) 68

Ploy (2007, Pen-Ek Ratanaruang) 26

Happiness (2007, Hur Jin-ho) 70

Diary of the Dead (2007, George A. Romero) 74

Day Two: Grades

2007-09-07T13:58:00.000-07:00

Les Amours D' Astree et de Celadon (2007, Eric Rohmer) 72

The Mourning Forest (2007, Naomi Kawase) 48

Le Voyage du Ballon Rouge (2007, Hou Hsiao-Hsien) 57

The Man From London (2007, Bela Tarr) 43

The Visitor (2007, Thomas McCarthy) 22

Frontière(s) (2007, Xavier Gens) W/O

Day One: Grades

2007-09-06T19:34:00.000-07:00

Starting Out in the Evening (2007, Andrew Wagner) 39

Mother of Tears: The Third Mother (2007, Dario Argento) 50

Pre-Fest: Lars and the Real Girl

2007-09-05T02:41:00.000-07:00

LARS AND THE REAL GIRL (2007, Craig Gillespie) 51
The version I saw was a work print with a temp score and without final color timing. Grade obviously doesn't reflect the final product but it would take a lot of work to get me out of mixed territory because of its tonal inconsistency and the general feeling that the film was making fun of a character that is more tragic than comic, echoes of my arch-enemy Mike White. Terrific performances by Emily Mortimer and Paul Schneider.

Pre-Fest: Flash Point

2007-09-05T02:38:00.001-07:00

FLASH POINT (2007, Wilson Yip) 52
Hot Fuzz was just making fun of this kind of movie earlier this year, except clearly here when shit gets real it does so in beautifully brutal martial arts. Over-stylized and hyper-kinetic to disguise how little happens for the first hour and then the film finds its purpose with a climactic eight-minute fight scene that is fairly spectacular. A film for the DVD age because there is no reason to watch the entire running time but you might want to look at the final fight again, especially while among friends.

Pre-Fest: Chacun Son Cinema

2007-09-05T02:12:00.000-07:00

CHACUN SON CINEMA (2007, A Bunch of People) 41
The one I was really stoked for was inexplicably missing from this collection (The Coens Bros). Far to many of these shorts tread similar ground and very few actually distinguished themselves from the others. Youssef Chahine either misunderstood the assignment or simply thinks that he is cinema, but his short was a hilarious misfire. Michael Cimino is also in his own world and will hopefully just disappear without another filmed effort. The 41 is for the overall experience, but here is the breakdown for the individual shorts:
Recommended:
DIARY OF A MOVIEGOER (Nanni Moretti)
THE ELECTRIC PRINCESS PICTURE HOUSE (Hsaio-hsien Hou)
ARTAUD DOUBEL BILL (Atom Egoyan)
OCCUPATIONS (Lars Von Trier)
CINEMA EROTIQUE (Roman Polanski)
AWKWARD (Elia Suleiman)
HAPPY ENDING (Ken Loach)

Indifferent:
ONE FINE DAY (Takashi Kitano)
DANS LE NOIR (Andrei Konchalovsky)
DARKNESS (Jean-Pierre and Luc Dardenne)
UPSURGE (Olivier Assayas)
THE CINEMA AROUND THE CORNER (Claude Lelouch)
AT THE SUICIDE OF THE LAST JEW IN THE WORLD IN THE LAST CINEMA IN THE WORLD (David Cronenberg)
I TRAVELLED 9000 KM TO GIVE IT TO YOU (Wong Kar Wai)

Not Recommended:
OPEN AIR CINEMA (Raymond Depardon)
TROIS MINUTES (Theodoros Angelopoulos)
ANNA (Alejandro Gonzalez Inarritu)
MOVIE NIGHT (Zhang Yimou)
LE DIBBOUK DE HAIFA (Amos Gitai)
THE LADY BUG (Jane Campion)
THE FOUNDRY (Aki Kaurismaki)
47 YEARS LATER (Youssef Chahine)
IT'S A DREAM (Tsai Ming-liang)
THE GIFT (Raoul Ruiz)
FIRST KISS (Gus Van Sant)
NO TRANSLATION NEEDED (Michael Cimino)
WHERE IS MY ROMEO (Abbas Kiarostami)
THE LAST DATING SHOW (Billie August)
SOLE MEETING (Manoel de Oliveira)
A 8 944 KM DE CANNES (Walter Salles)
WAR IN PEACE (Wim Wenders)
ZHANXIOU VILLAGE (Chen Kaige)

TIFF 2007 Schedule

2007-08-28T17:02:00.000-07:00

Here is how my festival is shaping up this year:
(EDIT TO REPLACE ATONEMENT WITH M)

Sept 6
8:00 STARTING OUT IN THE EVENING (Varsity 6)
11:59 THE MOTHER OF TEARS (Ryerson)

Sept 7
9:30 LES AMOURS D’ASTREE ET DE CELADON (Scotiabank 1)
12:00 THE MOURNING FOREST (Scotiabank 4)
2:45 LE VOYAGE DU BALLON ROUGE (Ryerson)
6:00 THE MAN FROM LONDON (Scotiabank 4)
9:15 VISITOR (Ryerson)
11:59 FRONTIERE(S) (Ryerson)

Sept 8
9:00 THE BANISHMENT (Scotiabank 14)
12:15 MY KID COULD PAINT THAT (Scotiabank 2)
4:30 4 MONTHS, 3 WEEKS AND 2 DAYS (Wintergarden)
7:00 PLOY (Scotiabank 14)
9:45 BOY A (Cumberland 3)
11:59 DIARY OF THE DEAD (Ryerson)

Sept 9
9:30 XXY (Scotiabank 4)
11:45 SECRET SUNSHINE (Scotiabank 1)
3:30 LES CHANSONS D’AMOUR (Scotiabank 1)
6:00 THE GIRL IN THE PARK (Ryerson)
9:30 SHADOWS (Isabel Bader)

Sept 10
9:00 NO COUNTRY FOR OLD MEN (Ryerson)
12:00 WHEN DID YOU LAST SEE YOUR FATHER? (Scotiabank 2)
2:30 SAD VACATION (Scotiabank 4)
6:30 UNE VIEILLE MAITRESSE (Scotiabank 1)
9:15 M (Scotiabank 4)
11:59 STUCK (Ryerson)

Sept 11
12:15 SILENT LIGHT (Scotiabank 4)
4:15 THE BAND’S VISIT (Scotiabank 2)
6:30 CONTRE TOUTE ESPERANCE (Cumberland 2)
9:15 PARANOID PARK (Scotiabank 1)
11:59 SUKIYAKI WESTERN DJANGO (Ryerson)

Sept 12
11:00 CASSANDRA’S DREAM (Visa)
3:00 REDACTED (Ryerson)
6:30 MISTER LONELY (Scotiabank 1)
9:45 IMPORT EXPORT (Scotiabank 4)
11:59 THE DEVIL’S CHAIR (Ryerson)

Sept 13
9:00 NAISSANCE DES PIEUVRES (Scotiabank 14)
12:00 MARGOT AT THE WEDDING (Visa)
3:30 HELP ME EROS (Scotiabank 4)
6:30 WOLFSBERGEN (Scotiabank 4)
8:45 YOU, THE LIVING (Varsity 1)

Sept 14
9:00 GLORY TO THE FILMMAKER (Varsity 8)
12:30 I’M NOT THERE (Ryerson)
3:15 LA FILLE COUPEE EN DEUX (Scotiabank 2)
6:45 SON OF RAMBOW (Ryerson)
9:30 WEIRDSVILLE (Ryerson)

Sept 15
9:00 ALEXANDRA (Scotiabank 4)
11:45 SMILEY FACE (Isabel Bader)
2:45 BEFORE THE DEVIL KNOWS YOU’RE DEAD (Ryerson)
5:15 THE EDGE OF HEAVEN (Varsity 3)
9:15 IT’S A FREE WORLD (Ryerson)
11:59 A L’INTERIEUR (Ryerson)

TIFF Day Ten

2006-09-17T17:57:00.000-07:00

Saturday Sep 16

White Palms (Szabolcs Hajdu) 64

Flanders (Bruno Dumont) 67

Invisible Waves (Pen-ek Ratanaruang) ZZZ

Big Bang Love, Juvenile A (Takashi Miike) 38

Lights in the Dusk (Aki Kaurismaki) 62

The Black Dahlia (Brian de Palma) 61

TIFF Day Nine

2006-09-15T19:59:00.000-07:00

Friday Sep 15

Day Night Day Night (Julia Loktev) 63

August Days (Marc Recha) 51

Summer Palace (Lou Ye) 45

Syndromes and a Century (Apichatpong Weerasethakul) 65

Belle Toujours (Manoel de Oliverira) 41

Fantasma (Lisandro Alonso) W/O

TIFF Day Eight

2006-09-15T00:23:00.000-07:00

Thursday Sep 14

Black Book (Paul Verhoeven) 66

The Fountain (Darren Aronofsky) 34

Colossal Youth (Pedro Costa) 53

Exiled (Johnnie To) 63

TIFF Day Seven

2006-09-13T19:56:00.002-07:00

Wednesday Sep 13

Mon Meilleur Ami (Patrice Leconte) 41

Bliss (Sheng Zhimin) 40

Golden Door (Emanuele Crialese) 66

Nue Propriété (Joachim Lafosse) 76

S&MAN (JT Petty) 56

TIFF Day Six

2006-09-13T19:56:00.001-07:00

Tuesday Sep 12

Summer ’04 (Stefan Krohmer) 71

Indigènes (Rachid Bouchareb) ZZZ

Coeurs (Alain Resnais) 83

Hamaca Paraguaya (Paz Encina) W/O
I needed to stand in the rush line for Still Life and I think I had gotten a good feel for what the film was trying to accomplish.

Still Life (Jia Zhang-ke) 50

TIFF Day Five

2006-09-11T14:17:00.000-07:00

Monday Sep 11

Woman on the Beach (Hong Sang-Soo) 72

Chacun Sa Nuit (jean-Marc Barr and Pascal Arnold) 33

Fay Grim (Hal Hartley) 57

I Don’t Want to Sleep Alone (Tsai Ming-liang) 24

TIFF Day Four

2006-09-10T12:58:00.000-07:00

Sunday Sep 10

Palimpsest (Konrad Niewolski) 31

L’Homme de sa vie (Zabou Breitman) 73

Offside (Jafar Panahi) 78

Cashback (Sean Ellis) 51

TIFF Days Two and Three

2006-09-09T22:43:00.000-07:00

Friday Sep 8

12:08 East of Bucharest (Corneliu Porumboiu) 67
This film is about the divide between history in a broad sense and the person narratives of those that inhabited and took place in that history. The first half of the film establishes the characters with incidental details of their lives leading up to (SPOILER!) a television broadcast that comprises the entire second half, structurally resembling the revolution that it is main focal point of the broadcast. The unique structure allows the broadcast to be both very funny and moving because it builds upon the characters and their relationships that comprised the previous reels.

Taxidermia (György Pálfi) 62
This film has a bold and uncompromising vision, somewhat reminiscent of Lynch or Barney or even Francis Bacon but always totally owned by Pálfi (a filmmaker that is previously unknown to me even though Hukkle has a following – I plan to catch it after the fest). However, even while I admired its vision and was certainly affected by it on a visceral level I never came to terms with it on an emotional or intellectual level.

Climates (Nuri Bilge Ceylan) 38
Ceylan’s style stopped me from caring about this film or the characters within it; the compositions are either flashy or remote static shots that are not particularly motivated by the scenes, themes, or characters.

Bamako (Abderrahmane Sissako) 34
This critically acclaimed Cannes film felt more like an intellectual exercise than an approachable film and I just completely disengaged from the endless courtroom essays. The very occasional musical performances were a welcomed reprieve and make me think I should perhaps not write off Sissako at this point.

Chronicle of an Escape (Israel Adrián Caetano) 40
No surprises in this political thriller from this year’s Cannes Competition. It is even done in the de-saturated, handheld style that is currently in fashion for this type of film.

The Host (Bong Joon-ho) 66
This is not quite up to the deafening buzz from Cannes and it runs about twenty minutes too long but it is still a very enjoyable monster movie with some fresh ideas on how to approach a genre that is in dire need of fresh ideas. It’s just too bad that most of the film’s surprises and subversive genre twists are contained in the first 40 minutes of the film.

Saturday Sep 9

The Wind That Shakes the Barley (Ken Loach) 68
Very lean for the first hour or so, with a few exaggerated instances of abuse from the British troops standing in as shorthand for what was probably a lifetime of more subtle abuse and then we are quickly thrown in with the rebel troops. It does get a bit too bogged down in the last act with some heavy-handed (though still dramatically compelling) debate scenes but this is still very strong material, a worthwhile choice for the Palme D’or at Cannes.

The Fall (Tarsem) 32
Tarsem created some arresting images as a music video director but he has still not managed to come up with narrative ideas to support his visual sense or allow his creativity to really blossom. This is even less successful than the fairly worthless The Cell because the material is so trite that Tarsem just spins his wheels visually; style without substance made worse because the style isn’t even compelling on a scene-by-scene basis and diminished more as overall storytelling. Also, the little girl we are stuck with is the worst child actor in recent memory.

WAVELENGTH #2:

v-r (Kyle Canterbury) NR
18 Videos: #8 (Kyle Canterbury) NR
These were both alright.

PSA. 9 body count (Cynthia Madansky) NR
PSA. 10 occupation (Cynthia Madansky) NR
PSA. 14 target (Cynthia Madansky) NR
These were dumb. The style was far from relevant to the content.

Hysteria (Christina Battle) NR
I barely remember this one.

Kristall (Christoph Girardet and Matthias Muller) NR
This one was actively annoying because of the abrasive sound design and overall lack of focus to the clips chosen. I am not a fan of these found footage montage bits anyways.

Nackstuck (Peter Tscherkassky) R
Afraid So (Jay Rosenblatt) R
These were the two best and also the two funniest (well, intentionally funny).

Memo to Pic Desk (Chris Kennedy and Anna van der Meulen) NR
This one had its moments.

Roads to Kiarostami (Abbas Kiarostami) NR
Unintentionally hilarious and a document that will surely be used against Kiarostami after he is submitted to the mental hospital.

Tsuioko (Yuiko Matsuyama) NR

I think I was still laughing about the exploding dog at the end of the Kiarostami while this short was playing.

Rescue Dawn (Werner Herzog) 42
Herzog is still an interesting and compelling documentary filmmaker but his narrative features just seem off; more polished than his peak 70’s period but polished in a rather style-less manner, like a TV movie with the camera placed in the most obvious position. I haven’t seen his documentary about the same subject matter but I’m fairly sure that its existence makes this film superfluous. I don’t usually care for Jeremy Davies but he was especially wretched here and the usually reliable Christian Bale seemed to go too big for the character he was playing and the situations he was in (though he sure is fearless as far as leading men go).

TIFF Day One

2006-09-07T23:15:00.001-07:00

Thursday Sep 7

The Lives of Others (Florian Henckel von Donnersmarck) 52
Unremarkable spy drama finds a strange middle ground between forceful crowd pleasing and boring historical recreation, without enough style or energy to support the two-hour plus running time. Some fine performances and nice subtle character touches make this somewhat worthwhile but hardly explain the overwhelmingly positive buzz.

The Films That Got Away

2006-09-03T19:20:00.000-07:00

The lottery results are in and I missed a few:

The Page Turner - Thu Sep 7, 8:30 PM (I might try to see the theatrical run of Idiocracy or just get some all-important sleep.)

Brand Upon the Brain! - Fri Sep 8, 6:00 PM (Got my Back-up Bamako so no huge loss here)

HANA - Sat Sep 9, 9:00 AM (This one stings, I will try to rush it)

STRIKE - Wed Sep 13, 9:15 AM (This was a dead slot and will now allow me to sleep in a little.)

My Schedule

2006-08-29T16:50:00.000-07:00

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The Page Turner
Thu Sep 7, 8:30 PM - VARSITY 4

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12:08 East of Bucharest
Fri Sep 8, 9:00 AM - PARAMOUNT 2

Taxidermia
Fri Sep 8, 11:15 AM - PARAMOUNT 2

Climates
Fri Sep 8, 3:00 PM – RYERSON

Brand Upon the Brain! (Back-up: Bamako)
Fri Sep 8, 6:00 PM - VISA SCREENING ROOM (ELGIN)

Chronicle of an Escape
Fri Sep 8, 9:15 PM - PARAMOUNT 4

The Host
Fri Sep 8, 11:59 PM – RYERSON

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HANA
Sat Sep 9, 9:00 AM - PARAMOUNT 3

The Wind That Shakes the Barley
Sat Sep 9, 12:00 PM - VISA SCREENING ROOM (ELGIN)

The Fall
Sat Sep 9, 3:00 PM - VISA SCREENING ROOM (ELGIN)

18 Videos: #8
Sat Sep 9, 6:30 PM - AL GREEN THEATRE

Rescue Dawn
Sat Sep 9, 9:00 PM – RYERSON

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Palimpsest
Sun Sep 10, 10:00 AM - PARAMOUNT 4

L' Homme de sa vie
Sun Sep 10, 1:00 PM - PARAMOUNT 2

Born and Bred
Sun Sep 10, 3:15 PM - PARAMOUNT 4

Offside
Sun Sep 10, 6:30 PM - PARAMOUNT 2

Cashback
Sun Sep 10, 8:45 PM - VARSITY 1

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Woman on the Beach
Mon Sep 11, 9:15 AM - CUMBERLAND 3

Chacun Sa Nuit
Mon Sep 11, 1:45 PM PARAMOUNT 3

Cages
Mon Sep 11, 4:14 PM PARAMOUNT 3

Fay Grim
Mon Sep 11, 6:00 PM – RYERSON

I Don't Want to Sleep Alone
Mon Sep 11, 9:00 PM - ISABEL BADER THEATRE

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Summer '04
Tue Sep 12, 8:45 AM - PARAMOUNT 4

Indigènes
Tue Sep 12, 11:15 AM - PARAMOUNT 4

Cœurs
Tue Sep 12, 3:00 PM - VISA SCREENING ROOM (ELGIN)

Hamaca Paraguaya
Tue Sep 12, 7:30 PM - CUMBERLAND 1

The Half Life of Timofey Berezin
Tue Sep 12, 9:00 PM - ISABEL BADER THEATRE

Trapped Ashes
Tue Sep 12, 11:59 PM – RYERSON

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STRIKE
Wed Sep 13, 9:15 AM - VARSITY 2

Mon Meilleur Ami
Wed Sep 13, 12:00 PM - VISA SCREENING ROOM (ELGIN)

Bliss
Wed Sep 13, 3:15 PM - CUMBERLAND 1

Golden Door
Wed Sep 13, 6:00 PM - VISA SCREENING ROOM (ELGIN)

Nue Propriété
Wed Sep 13, 8:30 PM - PARAMOUNT 2

S&MAN
Wed Sep 13, 11:59 PM – RYERSON

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Daratt
Thu Sep 14, 9:15 AM - PARAMOUNT 4

Black Book
Thu Sep 14, 12:00 PM – RYERSON

The Fountain
Thu Sep 14, 3:00 PM – RYERSON

Colossal Youth
Thu Sep 14, 5:15 PM - VARSITY 2

Red Road
Thu Sep 14, 9:30 PM – ISABEL BADER THEATRE

Severance
Thu Sep 14, 11:59 PM – RYERSON

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Day Night Day Night
Fri Sep 15, 9:15 AM - CUMBERLAND 2

August Days
Fri Sep 15, 12:30 PM - PARAMOUNT 4

Summer Palace
Fri Sep 15, 2:30 PM - CUMBERLAND 2

Syndromes and a Century
Fri Sep 15, 6:00 PM - VARSITY 3

Belle toujours
Fri Sep 15, 9:00 PM - CUMBERLAND 2

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White Palms
Sat Sep 16, 9:30 AM - VARSITY 4

Flanders
Sat Sep 16, 11:45 AM - ISABEL BADER THEATRE

Invisible Waves
Sat Sep 16, 2:45 PM - PARAMOUNT 4

Big Bang Love, Juvenile A
Sat Sep 16, 6:15 PM - CUMBERLAND 2

Lights in the Dusk
Sat Sep 16, 9:00 PM - RYERSON

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